Rest in peace, dear Ana. God, in his infinite mercy, will hear your poetry.
Sunday, July 08, 2007
tomas the toughie

Not to be trifled, too, is his leadership skills which has been rewarded with a three-term vote of confidence despite the controversies hounding him: his barroom temper, his reported support of vigilante killing squads against alleged scums of society, his quarrel with the governor, etc.
That may help explain my seemingly endless fascination about the man for whom I devoted a couple of my recent opinion columns in Sun.Star Cebu (June 26 and July 3 issues). Reckon these reprints:

See, the fact that he exudes the flair of a natural newsmaker isn’t hurting him so far as he can swagger about the votes of confidence from his constituency all through these years. Look, ma, isn’t he invincible?
Anything but boring. Regarding the performance so far of Mayor Tomas Osmeña, even Aristotle—who hatched the basic idea of three acts in theatre—might as well uncork a Champagne bottle.
His presence may be formidable, but the mayor says he’s not out to take a bow by his lonesome. Even with his awesome powers, Harry Potter is putty in the hands of his enemy without Ron and Hermione.


Friday, July 06, 2007
hear what heaven sounds like
Laughter in the light of innocence--something that ought to be amplified in the war zones and emergency rooms and everywhere thunder echoes with the sound of heartbreak.
Thursday, July 05, 2007
gifts of light and grace

Come on, let me boast what I recently acquired for which I thank God the dictionary has a word called gratitude:

Indeed, the poems in this collection have a clarity and immediacy that would appeal to even the most poetry-averse reader. Most of the selections are from classical Chinese and 20th-century American and European (primarily Eastern European, Scandinavian, and French) poets. The poems are grouped by intriguing headings ("The Moment," "The Secret of a Thing," "A Woman's Skin"), and Milosz has written brief prefaces to many of them, creating an unusual sense of dialogue between editor and reader.

"My intention," says Milosz, "is not so much to defend poetry...but rather, to remind readers that for some very good reasons it may be of importance today." This refreshing and wise anthology is recommended for all collections
Milosz's introduction is passionate and enlivening as he guides readers toward his vision of poems as forms of enchantment. A review succinctly sums up Milosz's magic in this volume of inflamed voices: "He deepens and extends the readers' understanding of his poetics and the poems he has so lovingly chosen. There are plenty of American poets here, quite a few Chinese poets, and a diverse scattering of Europeans, but place of origin isn't as significant, ultimately, as place of arrival: a poem that speaks to everyone in every land."

Consider her tongue-in-cheek testimony: "I wish grace and healing were more abracadabra kind of things. Also, that delicate silver bells would ring to announce grace's arrival. But no, it's clog and slog and scootch, on the floor, in the silence, in the dark."
Consider, too, the chorus of praise for her writing:

"Anne Lamott is a walking proof that a person can be both reverent and irreverent in the same lifetime. Sometimes even in the same breath." (San Fransisco Chronicle). "A ferociously smart, droll, and original writer... transcendently lovely. (Entertainment Weekly)
Enough said.
Friday, June 22, 2007
wherever, whatever

Easy goes the green light for envy en route to any American city. It’s all it takes, hands down, to feel a sudden surge of empathy for stray dogs. Go ask any Third World drifter driving himself headlong into the dead-end of undue comparison.
Consider the commercial of a fast-food joint cranking up the condescending tone of a balikbayan matron. Sweating and fanning away the frustration off her face, she hissed at all the signals of the doggone state of our streets: “Walang ganyan sa States!”
Wringing that woman’s neck, however, may yet entail squeezing dry the threadbare fabric of one’s nationalistic streak.
What a relief, therefore, to run into Anne Lamott’s latest book of essays—
Grace (Eventually)—and to be reassured that the geography of what goes bad or wrong is our common ground. Regardless of race, yes.
“Nowhere is better than anywhere else,” writes Lammot.
Angels may fear to tread through the traffic anywhere in our country’s asphalt jungles, but even the world’s most affluent nation is neither a breeze through the boulevard.
Hardly a minute goes in New York at night, swear some expat friends, without emergency sirens blaring by. In Los Angeles, where road rage is rampant down the freeway, an unidentified man stalking the sidewalk has been caught on video cam lugging a baseball bat and swinging it down his victims’ head at random.
And here comes, where I’m helpless at waxing touristy at the camera-worthy pace of suburbia, this swerve of sobering news: A 16-year-old woman out from the mall was whisked off on the way to her car in the parking lot, her dead body found in a wooded area in the neighboring state three days after she was reported missing.

Doesn’t the smash-up between the Capitol of Cebu and City Hall hit any Bisdak, displaced or not, as if—lucky us—we don’t have to bother anymore about global warming, the war in Iraq, and terrorism? Isn’t that entertaining enough to sideswipe us away from other pressing concerns like the lack of urban planning, the garbage-filled and flood-prone streets, the invasion of squatters in the sidewalks?
Where there’s mayhem in the streets to go with the caravan of political circus, sneaking online for nostalgic peeks at the homefront would be a chronic compulsion. As if it would be where I might stumble on the cure for cancer soon.
That, for all we know, is what the mayor imbibes in full measure while he looms large enough for both the affection of those who vote for him and the aversion of everyone else.

Friday, June 15, 2007
for my childten to sing and dance with
God bless Luther Vandross for this lovely song. Happy Father's day to all the sons, brothers, and husbands who dream of siring a better world someday.
Thursday, June 14, 2007
consciousness like continents
TO RECLAIM SPACE is to reassert one's place, according to poet Mary Oliver, "in the family of things." After a month of taking a detour from my comfort zone into the uncertainty of an alien landscape, what a relief to return where mind and heart limbers up in the light of the familiar: a chance to continue touching base with my place of origin and pivot for return, at least through my regular op-ed corner in Sun.Star Cebu.
Published last June 12, here's a reprint of my first column after a month-long absence in the spell of readjustments en route to retracing the tracks of my byline:
According to a Yahoo dispatch, more than 1,680 guitarists gather in Kansas to tune up and take part in setting a Guinness world record for the most people playing the same song—Deep Purple's Smoke on the Water—simultaneously.
Never mind the smoke of politics in Cebu hot in the heels of the elections on top of the water-logged news to flush one’s summer thoughts down the drain: overflowing creeks and sewers, flash floods in the streets and mudslides in the mountains.
Nothing new under the sun, right? Then again, just when summer in Kansas rouses a riot of colors and fragrance from its galaxy of gardens, something of a novelty nudges my nose not to smell what the flies revel in Taboan as I sniff stardust out of Mayor Tomas Osmeña’s seemingly spaced-out scheme.
Come on, the Yellow Brick Road may be a universe away from Cebu, but it smacks of magic for the mayor to conjure “street rivers” where traffic and floating rats render it cool to hitch a ride on a witch’s broom above it all. Quick, go notify the authorities at Guinness!
In the face of formidable odds, any Cebuano worth his pride of Lapu-Lapu’s legend is no stranger to the struggle of holding his ground. As if conquest were a congenital blessing, if not a birthright.

A relocation site is up in the pipeline, assures Mayor Tomas Osmeña, who plans to pave a road from the SRP to Poblacion Pardo, where he will build a “new barangay” of squatters uprooted from various parts of the city. (No, slum dwellers won’t be cast away like garbage under the bridge because they are potential voters, remember?)
Wednesday, June 13, 2007
leavetaking, and the love of friends
"IN THE DEW of little things, the heart finds its morning." And I, born once upon a high noon in August under a lion's sign, roar amen.
We'll meet again--all of you in whom I have taken root--in yet another sunrise soon...
* * *
IT'S BEEN A MONTH since I left the country and settled (temporarily, I hope) with my family in the heartland of America. Ah, the sweet sorrow of departure and the thrill of a new adventure! And, yes, the geyser of goodwill and the grace of friendship that I've been blessed with all along! It had been a whirl of beer binges and videoke, reunions with friends long missed, and poetry dedicated to me like a talisman for tracing my way back home soon (Thank you, dear ole' Temistokles Adlawan). Plus a toast from two kindred spirits whose beautiful minds and hearts will always be cherished. Read on, here's a reprint of two opinion columns from Mayette Q. Tabada and Ana Escalante-Neri:
Xman Redux
by MAYETTE Q. TABADA, Sun.Star Cebu, 13 May 2007
CHEAPSKATE that I am, the first thing I bought when I had something left over from my salary was this mobile phone. Inexpensive and simple, the new phone fit me, down to the longish time it took to unlock and the limited memory of my ancient SIM card.
As far as coexistence anxieties went, this new phone and I settled down in no time, except for a few days ago, when this infernal gadget went crazy.
Fumbling with the keypad, I panicked every time the phone tone indicated an incoming message. Each time, I feared the worst: my younger son finally swallowed his older brother and was regurgitating him out, with the pieces in odd order.
Every time, it was this and that writer asking if Myke was gone, had gone, was really, really gone.
Texting is really ideal only for thumbs that fly over the keypad and eviscerate nimbly the rules of English writing. It is not for technophobes that feel they have to use the shift key every time to begin a sentence with a capital letter; or leave a space after punctuations (two if a period).
Also, texting is just too bloody for explaining to the young, the heartbroken, the dreamers that the mentor they wrote for, imitated, drank with—heck, loved—had, as of 3 PM last Friday, taken off for an 18-hour flight with his two young sons and a pocket full of finger puppets to go home to his beloved Arlaine.
Thanks to Myke, my editor-on-leave, I discovered a facet of the phone I thought I knew: push the buttons too quickly and this unremarkable piece of plastic will rear its spirit and refuse to execute a command.
Toxic, my editor would have said, nodding his bangs sagely while smiling roguishly.
Yeah, everything’s toxic alright, Xman. Some just use the poison to make poetry.
I first worked with Myke U. Obenieta in 2000. Our group of writers and photographers were prowling in the firecracker-making countryside of Babag, Lapu-Lapu to catch children and minors assembling in the illegal trade.
It was my first special report but my heart was not in it. Why punish the victims? For Myke, his interest was not to expose and investigate; he wanted to listen to the stories woven by those small, nimble fingers before an accidental spark sent them flying all over the countryside.In the exacting world of journalism, Myke and I felt, more often than not, like mutants. In the backyards of Babag, we took to calling each other Xman, or “X-Man,” if according to Myke, as he was more straitlaced about grammar than I.
Over the years, in the newsroom or during coverage, we bumped into each other desultorily. I knew him better though as one of the most graceful editors to light up a classroom or a young writer’s dreams.
Some students stumble into writing because, caught between the devil and professors who believe in “publish or perish,” they have nowhere to go but into the roiling waters of the publishing world.
But the ones that grow into their craft have, hovering over their pens, not just Muses but angst-ministering angels and nurturing mutants. Until he finally made good on his travel plans last Friday, the Xman did not assign writers as go off with them on rambling, irreverent, offbeat, funny explorations of language, the movies, drinking, poetry, parenting, loving and other digressions that inexplicably fed the Craft.
For those unable to believe he has left, let me comfort you with Epictetus.
It’s not only because quoting some long-dead Greek confers the proper gravitas on leave-takings. The fellow is in one of the books left behind in the normal clutter of my editor’s desk.
This, as well as an oil-and-pastel painting of a ballet dancer, the communities of writers woven around his four scrupulously updated blogs, and the unfinished series of despedidas requiring at least half-a-year to complete, are portents that Myke has just stepped out and will, one afternoon, pop up to declare to us, day-shift stiffs: “Hi, beautiful people!”
* * *
Leavetaking
by ANA ESCALANTE-NERI, Sun.Star Weekend Magazine, 25 April 2007 If the bottles are shaking after pounding your fist on the table to make a point in the face of your beer buddies, hereunder are handy quotables to quell the dissonance of reason and rigmarole in this election season when it looks like there's a conspiracy to make fools out of all of us. These hand-me-down quips, come to think of it, would be fine for grinning and bearing it all:IT IS HARD to write about someone who has left, but even harder to write for someone just about to leave when you imagine you could still venture the hope that they would stay. Offer a final argument against their departure. The ache is keener when you see what spaces remain occupied—his mess on his desk, blunt-tipped pencils in a mug, he on that chair where he’s sat in the lifetime of eight years—while knowing that a mere few, few days would empty all that.
There are only five days left, to be exact, before my Weekend editor Mr. Myke Obenieta leaves with his two boys for Kansas to join his wife Arlaine.
I am tempted to send him, in lieu of this column, something incoherent (uh, not that my columns aren’t) with twice the usual character requirement.
Or maybe I could be dramatic and turn in a blank page, tell him that would be enough to explain the great void we would all feel in his absence. Sniff, sniff. Choke, sob.
Or I could do the corny but heartfelt thing and write about his being more than an editor, but an occasional beer buddy, too, for whom I’ve offered to foot the bill only to find out when it was time to pay that I had not enough cash in my wallet—the only time we managed to laugh about not getting paid enough writing.A mentor, he was, as well, paneling in the two regional writing workshops I attended where he was the easiest of the bunch to forgive despite all his insulting comments on my poems….naw. He did no such thing. If anything, he’s been best at giving encouragement and good advice, literary or otherwise.
Perhaps what I can do is give some of that back, casual good advice, from one traveler to another?
Myke. Stuff your suitcase with the usual chicharon, otap, rosquillos, dried mangoes, pastillas, danggit. Our kababayans in the States are heartsick for those. They won’t mind your charging them quadruple their original price. Use profit from sales to tide you over until you find rich relatives to mooch money from during the first few months of your stay.
On the plane, when your two little men start to become a handful, think tranquilizer. Not for them, silly. For you. There should be at least three hundred other passengers on board anyway to keep an eye on them.
When you get there, don’t stop yourself from constantly calculating exchange rates. That way, you won’t have the heart to spend on anything, especially the little luxuries you never needed anyway when you were here. So when you come back home to Cebu, to us, to me, your favorite columnist, you could feel free to bore us with your stateside tales in an unnatural American accent if only because you’ve saved so much dolyares and could afford to buy us beer. If you spring for more than a couple, we might even pretend to be interested.
The important thing is coming home, at some point. Hopefully before the new Weekend editor recommends to fire me due to an attitude problem. A catty treatment from me. Uh, wait. Sorry to have to break it to you here, but I believe that position has been offered to me. Great news, right? You’re guaranteed a job when you return, and I get the chance to pay you back for all your kindness by offering you a tiny 300-worder space-filler under my editorship.
Meantime, ayo-ayo, Bai. Do enjoy your new adventure and give our regards to our fellow-poet Arlaine.
Wait, wait, a final thing. Don’t bring large bottles of toiletry in your hand-carry.
And your desk. Maybe don’t clear it.
Or clear it.
Or don’t.
Saturday, April 21, 2007
who deserves the evil eye?
HARD TO FACE a problem, indeed, when the problem is a politician's face in a prohibited campaign poster. In Cebu, the Commission on Elections (Comelec) might as well be seeing ghosts while rolling its eyeballs at the election litter all over.
Hair-raising, thus groans my recent column in the opinion page of Sun.Star Cebu (17 April 2007 issue) :
Zooming in on zombies
Horror wears a happy face. Worse, it’s sticking its tongue out at the Commission on Elections, leaving it dazed in the dark and in dire need of a sixth sense.
“There’s evidence all over, but no suspects in sight.” Thus declares the headline in one of this paper’s reports last Sunday.
About the abomination of campaign posters placed illegally, the report would have been more terrific (if not terrifying) to the tune of spine-crunching sound effects worthy of a whodunit. Who’s giving Comelec a black eye? Who’s winking at the voters now besieged with photogenic attempts at peek-a-boo?
How to determine who really placed the posters is Comelec’s nightmare. “It’s difficult because a rival camp can paste the other’s posters illegally,” explains a Comelec officer.
Would there be a ghost of a chance for Comelec to exorcise the omnipresence of prohibited posters stuck on trees, along the streets and main thoroughfares, on bridges, public structures or buildings, electric posts or wires, schools, and shrines?
Are graveyards not included? There might be campaign posters stuck somewhere there, too. Not on someone else’s tombstone, hopefully.
Meanwhile, some candidates smile.
It’s a wonderful world, indeed, where the Comelec is facing a blank wall while searching for witnesses who’d dare look the devil in the eye.
Unless somebody complains and comes out in open “against those who place posters outside designated areas,” Comelec might as well be blind, deaf, and mute. No way it can prosecute, unless it gets lucky and catches someone flouting its regulations red-handed.
Mean and whiling away the leeway of the law, some candidates can only flaunt a prelude to their proclivity for sidestepping the line between right and wrong soon after they’re voted into power.Dead malice, anyone?
In the face of these delinquent candidates with their helter-skelter hunger to be the apple of the electorate’s eyes, any voter worth his jaundice is pretty justified to see skulls and crossed bones instead.
Or, better yet, be imaginative enough to behold the errant posters as if Oscar Wilde were back from the graves with updated variations on The Picture of Dorian Gray. (In that novel, darkness was made visible in the image of the protagonist whose corruption left its hideous marks in his portrait.)
As much as we yearn to see politicians in a new light, sorry, there’s just no blinking away the enduring ubiquity of blight.
Bless, therefore, some vandals that voters ought to shake hands with. There’s beauty and grace in graffiti, yes, when these designers of disfigure would render an animated mural of clowns and circus freaks out of the faces from those posters. The more offensive, the better. Enough, yes, for Dracula’s laughter.
Friday, April 20, 2007
making no sense, making me smile
ONE WOULD SUPPOSE, considering the constant grimace about successive grim topics such as politics and the forthcoming elections in this blog, that it's a fashion style to wear my wrinkles on my forehead.
So when it seems like the remains of my hair and my cowlick are scraping on cobwebs and puncturing my thought balloons, it's such a relief to just shake the stress away with odds and ends of humor scoured along the way. I was born intelligent; education ruined me.
***
Practice makes perfect, but nobody's perfect. So why practice?
***
Since light travels faster than sound, people appear bright until you hear them speak.
***
The more you learn, the more you know, The more you know, the more you forget.The more you forget, the less you know. So why learn?
(And, hey, wouldn't it be cool if after seeing shirts emblazoned with a candidate's callus-fortified face, all of us thirsting and hungry for honest-to-goodness elections would witness our piss-worthy politicians wearing that shirt up there instead of the kagalanggalang (kuno) Barong Tagalong and Amerikana suits if ever--God forbid--they'd be voted again and souse themselves once more in the froth of power?)Wednesday, April 04, 2007
banishing the boars
In the face of the faithless
When God granted free will to us Filipinos, did it seem like casting pearls before swine? Not if the outcome of the forthcoming elections, hopefully, wouldn’t again leave us heaving a sigh of whine until we’re fit to be tied, skewered, and roasted.
Now that not a few politicians impel us into pigging out on the slop of their self-aggrandizement, Lent does come in the nick of time to nudge us off the beaten track of the politically cynical and clueless.
In this year of the Fire Pig, will the elections—God forbid!—again leave us blood-curdled and curled over the coals?
Then again, no scenario is ever outlandish where the craven and the clowns take turn hogging our attention, unsettling enough to scare even our guardian angels to take absence without leave.
Sacred, our right of suffrage. But suffering fools gladly has been like a religion to us as we take the extra mile of masochism. Preferably on bended knees, yes. As if we’re out to prove—as if we don’t have a surplus of comic relief—that we are a nation of martyrs.Consider and weep over how we continue to bear the cross brusquely hewn in the hands of self-styled redeemers.
Lest we lapse into the twilight zone of inertia once more, which is all some candidates need for us to fry in our own fat till we crackle under our skin, it’s about time we seize the day of our own deliverance. And that may be the closest thing we have to redemption by way of repentance.
Or else, there’s more hell to pay. So exhorts those who hold the candle in the face, crusted with callus, of our candidates.
Indeed, some priests have pushed their sphere of influence far into the fray of politics. A Catholic priest in Zamboanga City has resigned from the priesthood to run for mayor, and another man of the cloth is also seeking to be governor of Pampanga.
If we must burn, it better come from the fire in our belly along with the belief or leap of faith that we could still make an effing difference.
Thus the Cebu-based Dilaab Foundation (“a volunteer-driven movement for a transformed Filipino nation through heroic Christian citizenship”) sparks up its plug for us to take charge with its decision-making guide. Yes, so that we’d vote with the visionary light of LASER (Lifestyle, Action, Support, Election conduct, Reputation) and zap to zero the chances of undesirable or “anti-life” candidates with ill-gotten wealth and campaign money sourced from illegal drugs.Also recently, Manila Archbishop Gaudencio Cardinal Rosales urged voters to choose for “green candidates” as the Parish Pastoral Council for Responsible Voting (PPCRV) released the “Ten Commandments for Responsible Voting.”
Hopefully, this will influence the electorate on “what to ask and look for from candidates in terms of environmental record and platform.”
It’s about time we save ourselves. And spare the next balloting time from the usual suspects who want us to swallow the staleness of politics microwaved with this advertising adage: “Sell the sizzle, not the steak.”
way through the wilderness
Here's something to ponder--uttered by Lucy, the youngest of the four children in the magical but evil-plagued world in C.S. Lewis’ Prince Caspian (the 2nd book of The Chronicles of Narnia)--especially now that the most craven of candidates come to us like the proverbial sheeps in wolves' clothing:
gospel truth beyond the garbage
Of politics and penitence
Even the devil knows how to quote the Bible, and so it’s not really farfetched for some politicians to wax penitential in the heat of Lent. You bet, religious frenzy would be a fashionable excuse for self-anointed saviors to wear holiness like oil in their hair.
Donning sackcloth and ash, as hypocrites in biblical times used to do, would be a tad unphotogenic for those born to be vainglorious. Aber, can you cite any candidate who doesn’t take the extra mile, with hell’s bells ringing up the road to popularity, just to stay high profile?
Because they’ve got the flair for fizzing up their spit in the face of an audience, it’s likely they’d even give an arm in exchange for the chance to flail their hands to high heavens for the traditional staging of the Siete Palabras.
Or, if the less voluble of them would opt out of that public display of piety, there’s no fuss as long as it’s never overlooked and ought to be put on record that all that oratory comes courtesy of his generosity, thank you.
Then again, I wouldn’t mind, if their knack for sheer showmanship—preferably with full media coverage— would compel them to whip their backs with a stingray’s tail while walking on their knees under a spitfire sky. Cool, if the self-flagellant would also invite the voters to vent off their loathing and join in the lynching.
Hateful, I confess. Utterly un-Christian if we reckon our Catechism teacher in kindergarten who taught us “to love our enemies” even if she couldn’t stop herself from pinching us in the nape for not listening.
How to look at our politicians in a new light? That, whoa, is no less uphill than retracing the skull-littered path to Golgotha.
Instead of seeing any vote-starved pervert with a pyromaniac’s glower, the Dilaab Foundation ("a volunteer-driven, Church-based movement for a transformed Filipino nation through heroic Christian citizenship”) has offered a suggestion to “challenge the notion that elections are useless because many candidates have dubious motives in running for office.”
Instigated by Fr. Carmelo Diola, the foundation has urged the public not to vote for undesirable candidates by using a decision-making guide called LASER (Lifestyle. Action. Support. Election conduct. Reputation.) Beware of “anti-life” candidates with unexplained wealth or with campaign machinery oiled with money from illegal drugs by beaming up your LASER vision.
Or if you’re still rolling your eyeballs, thank God for this scrap of humor:
“An old couple had a son who was still living with them. They were a little worried owing to their son’s lack of career plans. Thus they decided to do a small test.
They took a wad of money, a Bible and a bottle of whiskey, and put these on the dining table. Then they hid, pretending they were not at home.
If the son took the money, he would be a businessman, if he took the Bible, he would be a priest; but if he took the bottle of whiskey, he would be a drunk.
In the nearby closet and peeping through the keyhole, they saw their son arrive at last. He read the note they had left him. He took the money, looked at it against the light, and slid it in his pocket. But after that, he took the Bible, flicked through it, and took it. Finally he grabbed the bottle, opened it, and took an appreciative whiff to check the quality. Then he left for his room, carrying all three items. Tuesday, April 03, 2007
what it takes to be a man
"For being a man is the continuing battle of one's life, and one loses a bit of manhood with every stale compromise to the authority of any power in which one does not believe."-- Norman Mailer
"Song and dance are, perhaps, only a little less old than man himself. It is with his music and dance, the recreation through art of the rhythms suggested by and implicit in the tempo of his life and cultural environment, that man purges his soul of the tensions of daily strife and maintains his harmony in the universe.
In the increasingly mechanized, automated world--a cold, bodiless world of wheels, smooth plastic surfaces, tubes, pushbuttons, transistors, computers, jet propulsion, rockets to the moon, atomic energy--man's need for the affirmation of his biology has become that much more intense. He feels need for a clear definition of where his body ends and the machine begins..."
Friday, March 23, 2007
power center
Other than victimization, vagina also alliterates well with victory.
That's downright the naked truth, or so agree lovers of Eve's daughters. And even without getting an earful of Ensler's many-splendoured monologues about that hallowed magnet of man's fascination, obsession and sometimes abuse, the message is simply easier to ascertain than finding the fabled G-spot: Whether you like it or not, we all--whether tyrant or wimp--came out of it!
Thumbs up, therefore, to the celebration of Women's Month.
Are You Nobody, Too?
View my complete profile
where else do i wander?
Ayo-ayo! Unsa'y Ato, Bay?
Peek-a-book: Myopia Becomes Utopia
Cinemaniac's Orgy: My Top 50 (excluding Filipino films)
WINGS OF DESIRE (Wim Wenders)
THE APU TRILOGY (Satyajit Ray)
ETERNITY AND A DAY (Theo Angelopoulos
IKIRU (Akira Kurosawa)
TOKYO STORY (Yasujiro Ozu)
CHILDREN OF PARADISE (Marcel Carne)
AGUIRRE: THE WRATH OF GOD (Werner Herzog)
THREE COLORS (Kryzstof Kieslowski)
THE PIANO (Jane Campion)
LA DOLCE VITA (Federico Fellini)
THE RULES OF THE GAME (Jean Renoir)
AMADEUS (Milos Forman)
CITIZEN KANE (Orson Welles)
TALK TO HER (Pedro Almodovar)
MABOROSI (Kore-eda Hirokazu)
PERSONA (Ingmar Bergman)
TAXI DRIVER (Martin Scorcese)
NIGHTS OF CABIRIA (Federico Fellini)
BEFORE NIGHT FALLS (Julian Schnabel)
THE GODFATHER (Francis Ford Coppola)
FARGO (Joel Coen)
2001: A SPACE ODYSSEY (Stanley Kubrick)
THE LIVES OF OTHERS (Florian Henckel von Donnersmarck)
NAKED (Mike Leigh)
THERE WILL BE BLOOD (Paul Thomas Anderson)
VOLVER (Pedro Almodovar)
THE 400 BLOWS (Francois Truffaut)
MAN ON THE TRAIN (Patrice Leconte)
MY LEFT FOOT (Jim Sheridan)
APOCALYPSE NOW (Francis Ford Copolla)
THE POSTMAN (Michael Radford)
HAPPINESS (Todd Solonz)
MAGNOLIA (Paul Thomas Anderson)
AMERICAN SPLENDOR (Shari Berman/Robert Pulcini)
TSOTSI (Gavin Hood)
E.T. (Steven Spielberg)
HERO (Zhang Yimou)
GROUNDHOG DAY (Harold Ramis)
LEAVING LAS VEGAS (Mike Figgis)
CENTRAL STATION (Walter Salles)
LAST TANGO IN PARIS (Bernardo Bertolucci)
FIREWORKS (Takeshi Kitano)
UNFORGIVEN (Clint Eastwood)
THE TREASURE OF SIERRA MADRE (John Huston)
DAYS OF HEAVEN (Terence Malick)
LOVE ACTUALLY (Richard Curtis)
FIDDLER ON THE ROOF (Norman Jewison)
THREE BURIALS OF MELQUIADES ESTRADA (Tommy Lee Jones)
VERTIGO (Alfred Hitchcock)
RUN LOLA RUN (Tom Tykwer)
EAT DRINK MAN WOMAN (Ang Lee)
who let the dogs out?
Detours for Drifters
Begin the Backtrack
Headlong Into Hopscotch
when smoke gets in our ears
where do we come from? What Are We? where are we going?
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ECHOLOCATION