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Come on, let me boast what I recently acquired for which I thank God the dictionary has a word called gratitude:
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Indeed, the poems in this collection have a clarity and immediacy that would appeal to even the most poetry-averse reader. Most of the selections are from classical Chinese and 20th-century American and European (primarily Eastern European, Scandinavian, and French) poets. The poems are grouped by intriguing headings ("The Moment," "The Secret of a Thing," "A Woman's Skin"), and Milosz has written brief prefaces to many of them, creating an unusual sense of dialogue between editor and reader.
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"My intention," says Milosz, "is not so much to defend poetry...but rather, to remind readers that for some very good reasons it may be of importance today." This refreshing and wise anthology is recommended for all collections
Milosz's introduction is passionate and enlivening as he guides readers toward his vision of poems as forms of enchantment. A review succinctly sums up Milosz's magic in this volume of inflamed voices: "He deepens and extends the readers' understanding of his poetics and the poems he has so lovingly chosen. There are plenty of American poets here, quite a few Chinese poets, and a diverse scattering of Europeans, but place of origin isn't as significant, ultimately, as place of arrival: a poem that speaks to everyone in every land."
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Consider her tongue-in-cheek testimony: "I wish grace and healing were more abracadabra kind of things. Also, that delicate silver bells would ring to announce grace's arrival. But no, it's clog and slog and scootch, on the floor, in the silence, in the dark."
Consider, too, the chorus of praise for her writing:
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"Anne Lamott is a walking proof that a person can be both reverent and irreverent in the same lifetime. Sometimes even in the same breath." (San Fransisco Chronicle). "A ferociously smart, droll, and original writer... transcendently lovely. (Entertainment Weekly)
Enough said.
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